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Museum cardboard (Hahnemuehle / 2 mm) Signed - S. Krüger.

Acrylic and spray paint Deep boxed canvas

Prints on canvas, signed by Stan Lee Framed

Prints on paper, signed by Stan Lee

Signed by Stan Lee. Paper print (unframed). Certificate of Authenticity.

Signed by Stan Lee. Boxed canvas. Certificate of Authenticity.

Signed by Stan Lee. Framed. Certificate of Authenticity.

Signed by Stan Lee. Framed. Certificate of Authenticity.

Signed by Stan Lee. Boxed canvas. Certificate of Authenticity.

Signed by Stan Lee. Paper print (unframed). Certificate of Authenticity.

Signed by Stan Lee. Framed paper print. Certificate of Authenticity.

Signed by Stan Lee. Boxed canvas. Certificate of Authenticity.

Signed by Stan Lee. Paper print (unframed). Certificate of Authenticity.

Signed by Stan Lee. Boxed canvas. Certificate of Authenticity.

Hand-Pulled Silkscreen Print on Somerset Card Squarity CoA

Canvas print. Signed. Framed. Certificate of Authenticity.

Paper print. Signed. Framed. Certificate of Authenticity.

Paper print. Signed. Framed. Certificate of Authenticity.

Original artwork Oil on canvas Framed

Original artwork On canvas, framed

Gelatin silver print AW002

Gelatin silver print NM018

Gelatin silver print

Gelatin silver print

Limited edition fine art print

Silver gelatin print KM039

"I tried to think of every possible situation that could go wrong. I needed to be overly prepared. In the build-up to the actual day, I don’t remember if I slept a wink." In 1992, Terry O’Neill received an invitation to photograph the Queen for Her Majesty’s official portrait. For a working-class boy who had risen to the top of his profession, this was an honour. "It came as a surprise to me. I never thought of myself in that league. I took photos of Hollywood and rock stars. But the Queen? I never imagined that would happen to me. When she walked into the room, she was larger than life. What I really wanted was to make her smile—I wanted the opportunity to make my photo different. I knew she liked horses, so I told her a horse-racing joke, and she laughed. That’s how I got the moment—the moment the Queen smiled at me."

"I tried to think of every possible situation that could go wrong. I needed to be overly prepared. In the build-up to the actual day, I don’t remember if I slept a wink." In 1992, Terry O’Neill received an invitation to photograph the Queen for Her Majesty’s official portrait. For a working-class boy who had risen to the top of his profession, this was an honour. "It came as a surprise to me. I never thought of myself in that league. I took photos of Hollywood and rock stars. But the Queen? I never imagined that would happen to me. When she walked into the room, she was larger than life. What I really wanted was to make her smile—I wanted the opportunity to make my photo different. I knew she liked horses, so I told her a horse-racing joke, and she laughed. That’s how I got the moment—the moment the Queen smiled at me."

C-type print Estate stamped/ signed in plate

C-type print

Gelatin silver print FK001

Chromogenic print

Limited edition gelatin silver print TB019

C-type print

Silver gelatin print FD006 Posthumous estate stamped/digitally signed A/p edition

Silver gelatin print FD012

C-type print Signed by Terry O'Neill and Faye Dunaway Certificate of Authenticity FD001

Limited edition C-type print FD017

C-type print

C-type print Posthumous estate stamped/digitally signed edition

C-type print FD046 Posthumous estate stamped/ digital signature

C-type print

Gelatin silver print DB155

Gelatin silver print DB006

Gelatin silver print BS012

Gelatin silver print EJ005

C-type print EJ014

Gelatin silver print EJ010

Gelatin silver print EJ252

Gelatin silver print ROR001

Gelatin silver print BS 003

Gelatin silver print DB021